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So that's why we call it an exhibition.

Just interacting with the public on that level, that level of intimacy, I guess is quite special.

"How is falling in love or falling out of love for you? Here what we do is try to make a situation where you have to step in the landscape, so there is this notion of something unfolding in front of you where the form is transforming, like a landscape would do, like not with a narrative that with an aim to go somewhere, but it just unfolds.

David O'Shea went along to the undressed rehearsal, and a warning, as you might expect, this story does contain quite a bit of nudity.

The Australian art philanthropist John Kaldor and the Carriageworks art space in Sydney have commissioned the exhibition.

It's part of what art is about.

Lots of penises and porn with no educational value -- it's possible that I missed some.

ANGELA YU, SCULPTURE STUDENT: And the body is just like in a static position; it kind of reminds me of how beautiful the human body is.

I call it exhibition in order to point out a form where the public is invited to come whenever they want and leave whenever they want, so the work addresses something that is not asking for a beginning and an end.