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Rumour has it that "Chuckles" Jodorowsky and Alan Klien have overcome their differences and both "El Topo" and "The Holy Mountain" may be re-released in their pristine glory shortly.

Set against this history of — at least — violent imagery is the fact that Jodorowsky should not, necessarily, be taken at face value, since he revels in the same sort of metaphor and dream logic as his films.

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El Museo has faced continued scrutiny in the past few weeks.

And as anyone with their head screwed on would expect, there is a strong element of charlatanism running thru the career of John Lennon's favourite director.

Otherwise I would have had them all wear elegant white wedding gowns.

We went to the desert with two other people: the photographer and a technician.

Master 1 is a blind Christ-like guru waited on by cripples; specifically a legless raspberry who perches on the shoulders of an armless ripple - watching the two of them climbing the ladder into Master 1's fortified den is seriously surreal.

We, like many other institutions, are dealing with issues that were previously not visible or talked about.