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"[22] Another sports related figure to attend Morgan's show was Bart Starr, Jr , the son of the Green Bay Packers' head coach In 1976, while under the Wisconsin legal drinking age, Starr and some other underage friends were enjoying alcoholic beverages before Morgan's performance Bruce Van Dyke, a Green Bay Packer guard, happened to be at the show too and noticed the young Starr at the nightclub Van Dyke approached Starr and said, laughing, "I won't tell if you won't "[39] [edit] 1979: Winnipeg The ad which The Manitoban refused to run in October 1979 When Morgan performed at the Winnipeg Playhouse in Winniepeg, Manitoba, Canada from October 26th to October 30, 1979, The Manitoban, the campus newspaper for The University of Manitoba, refused to carry the advertisement for Morgan's appearance, claiming that it was sexist [23] Morgan held a press conference on October 25, 1979, the day before her performances, in which she answered questions from representatives of print media, radio and television [7] On December 11, 1979, after nearly six years of marriage, Morgan and her husband were divorced [40] Stello and Morgan would remain friends for the rest of his life, calling each other often and spending holidays together [29] Stello also helped her through her oldest daughter's traffic accident death in New York in 1984 [4] Of her romantic life after her second marriage, Morgan said, "I like to date men and go out, but I don't want to get married One divorce is enough "[3] [edit] 1980: Hamilton, Ontario A June 1980 performance in Hamilton, Ontario, Canada caused Morgan some more legal difficulties A vice-squad officer who had attended four of Morgan's shows at Hanrahan's Tavern, arrested her after her June 27th performance [21] According to Morgan, a large number of policemen came to stare through her window by while she was in her cell "It was like Grand Central Station," she said [21] She was brought to trial in December, 1980 The Provincial Court accused the portion of her act in which she allowed patrons to touch her breasts of being indecent and "grossly vulgar" The Crown attorney stated, "She encouraged the audience to touch her breasts Breasts are a sexual organ, in my respectful submission It was a minor version of a live sex act [41] Morgan's lawyer counter-argued, "We heard from police officers, city inspectors and high school teachers, and not one of them said they were embarrassed by the performance, let alone saying they were horrified "[41] The witnesses cited by the lawyer testified that Morgan had indeed encouraged members of the mostly male audience of approximately 250 to inspect her breasts, but that the act was done humorously rather than lewdly A police sergeant also confirmed that, though he found Morgan's accent difficult to understand, he was amused by her act and laughed at several of her jokes [41] On January 29, 1981, the judge dismissed the charge He described the portion of the act which had been accused of indecency as merely "audience participation" after "a dialogue concerning the genuineness or authenticity of her ample proportions "[21] In spite of the favorable decision, Morgan said that she had "had it with Hamilton," because she had been a "victim of very, very narrow-minded people "[21] Her negative impression of Hamilton did not extend to the judge in the case whom she described as "just great; I'm crazy about him " Regretting that he had had "to waste his fine mind on listening to such nonsense," she gave him an invitation to attend one of her performances [21] [edit] 1983: Stoughton, Massachusetts In October 1983, while performing in Stoughton, Massachusetts-- 15 miles south of Boston[19]-- Morgan again came to the attention of law enforcement officials A policeman was in attendance during one of her performances [19] Her long-time practise of allowing audience members to touch her was against the town's laws Alex's Lounge, the establishment at which she had been performing, had their entertainment license suspended for one day and their liquor license suspended for five days due to Morgan's act [18] Morgan returned to perform at the lounge for a week beginning on Monday, December 12, 1983 [42] On December 7, she went to Suffolk Superior Court to request the issue of a temporary injunction to prevent the town from taking further action against the establishment [43] Morgan and the establishment argued that the purpose of this part of her act was to "establish a link between her and and the audience,"[43] and that it was unconstitutional to prevent an "occasional instance of 'touching'" during a non-obscene performance [44] Chief Justice Alan Hale asked Morgan's lawyer incredulously, "Are you seriously saying to me that this woman letting some people touch her breasts or snuggle up is protected speech? There Annie studied at Franklin-Simpson High School in the year 1970.
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After that, she was in a marriage relationship with Greg Antonacci from 1978 to 1979.
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What your eyes see, you must believe Stageland's biggest Attraction "[13] By 1974, she was using the name "Chesty Morgan" Though apparently coincidental, "Chesty Morgan" was the name of a minor character in director John Ford's 1926 silent film, The Shamrock Handicap, which dealt with horse racing in the U S and Ireland [14] She became a regular in Boston's famed "Combat Zone" adult entertainment district [15] In May 1974, she was appearing at the Sanderson Theatre in Springfield, Massachusetts as "Chesty Morgan and her All Girl Revue" [16] As a sign of Morgan's popularity, one "Combat Zone" nightclub pointed to Morgan's appearance there as a life-saver for the institution In August 1974, the owner of the financially and legally troubled Pilgrim Theater claimed, "She was like a god out of the heavens for us She saved the theater and I hope she can do it again "[17] [edit] Morgan's performance style Chesty Morgan striptease publicity photo Chesty Morgan's show was usually from twenty to twenty-five minutes in duration, and she would put on three shows a night [18] Her performance regularly began with a walk to the stage through the audience in which she would interact with her patrons She would talk with members of the audience and allow them to feel and fondle her breasts, encouraging them to test that they were real [18] Once on stage, she would strip to the waist [19] Her stripping performances were accompanied by popular songs such as "Delilah" 1968 [18] She would then don a negligee [19] A courtroom description of Morgan's act states that in this part of her act, she would, "occasionally [invite] a patron to come up to the edge of the stage, but not on the stage, and [permit] him or her to touch the top portion of breasts above the neckline of the negligee, or to put his or her face into the top portion of her breasts while she [shook] them in a kootchy-kootchy fashion "[20] Morgan's philosophy about her career was that she was sharing her natural endowment with her audience "My boobs belong to the world," she said, "They're attached to my body, but they belong to the public "[18] She believed that she was showing generosity by inviting her patrons to feel her breasts "My heart is as big as my chest," she claimed [21] About the style of her performances, she said, "I don't do a complete nude show I don't do that kind of show I'm not a porno star Even men don't want a complete nude woman Topless, maybe, but at least a G-string They want something left to the imagination, something discreet "[3] During her act, Morgan employed much humor directed at her physical attributes Her walk to the stage would sometimes include two midgets They would march in front of Morgan, each supporting one of her mammaries [22] Her speech while on stage included such jokes as, "You know why my feet so small? This American 80s diva also voiced for the animated film titled Toy Story series in the role of Bo Peep.
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